The job
Camera plans are built for the show, not a kit list. We cover the room, the stage and the moments that only exist once. The director calls it, the replay is there if the play needs a second look, and the cut is clean enough to hand to a network.
When you need this layer
A locked-off camera is a record. A directed cut is a broadcast. If the audience at home has to feel the stadium, the pit or the arena, this is the layer. Concerts, sport, festivals and esports stages are the work we already run in Auckland.
How it sits with the rest
Cameras are useless if the graphics cannot key into the cut, or the stream drops. We design this layer with graphics, streaming and the network underneath, so you are not hiring four vendors who meet on show day.
